Orra Space
Five reverb spaces and a tape delay, cross-pollinated.
Clean at the core, vintage on top, blended to taste. Two engines run in parallel, a single BLEND crossfades between them, and they can feed each other for textures neither makes alone.
Launch week only, June 30 – July 7
Secure checkout by Lemon Squeezy · Includes Orra Link
How it works
Two engines, fed in parallel, blended to taste and finished on the output
Blend It: Two Engines
Your dry signal feeds the reverb engine and the tape delay at the same time, not in series. A single BLEND knob crossfades between them: full reverb, full delay, or any mix.
MIX then sets how much of that wet signal sits against your dry, on an equal-power curve so the level stays steady.
BLEND chooses the flavour, MIX chooses the amount, two clean decisions instead of one tangled one.
Reverb and delay, in parallel
Cross It: X-Feed
X-Feed injects one engine into the other. Toward the reverb, the delay repeats spill in and bloom into a wash. Toward the delay, the reverb tail is chopped into rhythmic echoes.
At centre the engines run cleanly in parallel. A touch adds life; more builds evolving, self-feeding textures.
The FLOW view shows the cross-feed direction and amount as you turn it.
Textures neither engine makes alone
Voice It: Vintage on Top
The DSP underneath is voiced clean and modern. The vintage flavour is added on top, so you choose how much you want.
The Character switch sets Vintage or Modern globally; Motion drives wow-and-flutter and tail movement; Age wears the delay repeats down; Shimmer adds an octave-up bloom.
Every space and every preset can be either character, it is an orthogonal axis.
Clean at the core, worn to taste
Duck the wet to anything, from anywhere
The DUCK control pulls the whole wet signal down, reverb tail and tape echoes alike, while a key source plays, then lets it bloom back in the gaps. Keep a hall clear of a vocal, a wash off the kick, or a delay out of a busy lead. What sets Orra Space apart is what it will listen to.
The default. The duck keys off the signal passing through Orra Space, the track it sits on. Insert it on a vocal and the reverb ducks under that vocal automatically.
The host's dedicated sidechain bus. Route any track to Orra Space's SC input in your DAW and it drives the duck.
One of 36 cross-DAW channels fed by the Orra Link companion. Key the reverb from a track that is not feeding it at all, even in hosts whose routing will not allow it.
How it works with Orra Link
Orra Link is a tiny sender-only plugin that ships alongside Orra Space. It broadcasts a track's audio onto a numbered channel in a shared bus that every Orra plugin in the project can read.
Drop it on any track, pick a channel (Link 1 through Link 36), and tick that channel under KEY in Orra Space. Now the wet signal ducks under that source, even though it is on a completely different track and never touches Orra Space, in any DAW.
KEY is multi-select, so you can combine sources and the duck follows whichever is loudest. And it stays a zero-latency plugin even with a Link key.
Orra Link
Sidechain Sender, Included
Find your space
Five reverbs and a tape delay, clean at the core and vintage on top, blended exactly where you want them.
Launch week: $29 through July 7, then $49.
Pairs well with
Orra Press
Six dynamics engines in six reorderable slots, with the Orra Link sidechain companion. Shape your dynamics before the space.
Explore Orra PressOrra EQ
16 bands of parametric EQ with per-band dynamic saturation and 17 saturation algorithms. Carve and colour before the reverb.
Explore Orra EQ